# 5 Things You Need to Know About Making an Osamason Type Beat How to make an Osamason type beat: free-for-profit rules, lease vs exclusive, 808 and BPM choices, and where to grab xhaji's "fooled" beat. Source: https://lktweb.shop/5-things-you-need/ · based on the channel [xhaji](https://www.youtube.com/channel/UCQzV6GpL4cvhpqR2nL4KrSg) · Video: [(free for profit) osamason + che + rexv2 type beat "fooled"](https://www.youtube.com/watch?v=gRWBXM7pEiQ) · 2026-10-22 ![5 Things You Need to Know About Making an Osamason Type Beat](https://lktweb.shop/5-things-you-need/5-things-you-need.webp) ## Key takeaways - xhaji's "fooled" is a free-for-profit Osamason + Che + rexv2 type beat made with anandaa. - Free-for-profit use allows 100% monetization on YouTube and SoundCloud without a lease. - A lease is required to release a song on Spotify, Apple Music and other streaming platforms. - Do not register a copyright claim on the beat unless you bought exclusive rights. - The beat's key and BPM are listed on the purchase page at bsta.rs/VR2I8c. An Osamason type beat is a dark, melodic trap instrumental built around distorted 808s, ringing bells or plucks, and fast hi-hat rolls that sit in the same lane as Osamason, Che, rexv2 and the wider underground plugg scene. If you want one you can actually release, xhaji's "fooled" is a free-for-profit Osamason + Che + rexv2 type beat made with anandaa, and you can follow the producer's drops through his [Instagram page for new beats and updates](https://www.instagram.com/xhaji.evx). ## What defines the Osamason type beat sound The Osamason type beat formula is a slow-to-mid tempo trap skeleton with heavy low end and a melodic loop that sounds slightly detuned or pitch-bent. Producers in this lane lean on bell melodies, glassy plucks, choir pads and short vocal chops, then push the 808 into distortion so it growls under the mix. Drums stay sparse: a punchy kick, a snappy clap or rim, and hi-hat patterns that switch between triplets and 16th rolls. Because Osamason, Che and rexv2 all rap with an off-kilter, almost mumbled delivery, the beats leave a lot of mid-range space. That is why you hear fewer layered synths than in a Ken Carson or Playboi Carti-style beat and more room for the vocal to sit forward. Tempos usually land in the 130–160 BPM range when counted in half-time, which keeps the track feeling slow even when the hats are busy. ## How the free-for-profit license on "fooled" works xhaji's "fooled" is released as free for profit, which means you can record and upload a song over it and keep 100% of the revenue on YouTube and SoundCloud without buying a lease. The conditions are simple and worth repeating because they decide whether your upload survives: 1. Free use covers YouTube and SoundCloud only, with full monetization allowed. 2. Streaming platforms such as Spotify and Apple Music require a purchased lease. 3. Do not file a copyright claim or Content ID registration on the beat unless you own exclusive rights, or the release will be hit with a complaint. 4. Credit the producer and keep the original purchase or download record. A lease is the middle tier: you pay a fee, get a license file, and can distribute the song commercially on streaming services while the producer keeps ownership of the instrumental. Exclusive rights are the only path that lets you treat the beat as yours, and they cost considerably more. The key and BPM for "fooled" are listed on the purchase page so you can match your vocal tuning and tempo before you record. ## Recording and mixing a verse over this kind of beat Start by matching your DAW session to the beat's key and BPM, then record with the 808 and melody already balanced so you perform against the real low end. Underground tracks in this style usually keep the vocal dry and close, with light autotune, a short slap delay and a plate reverb send for space. Ad-libs sit wide and slightly louder than you would expect in mainstream trap, which is part of the chaotic feel. On the mix side, high-pass the vocal around 100 Hz so the 808 keeps the sub range, then carve a small dip in the beat's melody where the vocal's presence sits. If the 808 in the beat is already distorted, avoid stacking another heavy saturation plugin on your voice; a gentle compressor and a de-esser will do more for clarity. Bounce a rough mix and check it on phone speakers, since most of this scene's audience listens that way first. ## Typical questions producers and rappers ask The most common doubts around free-for-profit beats are about monetization and copyright, and the answers come down to the license terms rather than the beat itself. If a track blows up on YouTube, the free-for-profit agreement still covers it; the moment you want it on DSPs, you upgrade to a lease. Producers also ask whether they can flip the beat or resell it, which the license does not allow without exclusive rights. Rappers frequently ask how to stand out over a sound this saturated. The practical answer is delivery and ad-lib personality rather than beat selection: write in a pocket that sits slightly behind the kick, use one signature ad-lib, and keep verses short. Another recurring question is whether a type beat can be pitched as an original production; it can, but only after exclusive rights are purchased, otherwise the producer's ownership stands. ## Where to find the links for "fooled" All official links for the beat live in one place, so use these exact addresses rather than reuploads: - Producer Instagram: https://www.instagram.com/xhaji.evx - Purchase page with key and BPM: https://bsta.rs/VR2I8c - Telegram channel: https://t.me/xhaji3 The purchase link is the one to use for a lease or exclusive deal, and the Telegram channel is where new drops and free-for-profit releases tend to appear first. ## Final take on the Osamason type beat lane An Osamason type beat lives or dies on atmosphere: distorted 808s, a detuned melodic loop and drums that leave the vocal room to breathe. xhaji's "fooled," made with anandaa and aimed at the Osamason, Che and rexv2 sound, is a working example you can use for free on YouTube and SoundCloud and license for streaming when the song is ready. The producer's breakdown of the style is worth following, so check the xhaji channel for more free-for-profit instrumentals and reach out through [his Instagram](https://www.instagram.com/xhaji.evx) if you need a lease or a custom beat. ## Questions & answers **Can I upload a song over a free-for-profit Osamason type beat and monetize it?** Yes, on YouTube and SoundCloud you can keep 100% of the revenue without buying a lease. Streaming platforms like Spotify and Apple Music are not covered by the free tier, so you need a lease before distributing there. **Do I need to credit the producer when using a free type beat?** Crediting the producer is standard practice and protects you if ownership questions come up. Keep the download or purchase confirmation, since it is your proof of license if a claim appears. **Why does my upload get a copyright complaint even though the beat was free?** That usually happens when someone registers the beat with Content ID or files a claim they are not entitled to. The license states you should not place a copyright claim on the beat unless you bought exclusive rights, and a lease receipt resolves most disputes. **How do I find the key and BPM of the beat before recording?** The key and BPM are listed on the producer's purchase page for the beat, so check that page before you open your DAW. Matching the session tempo and tuning your vocals to that key saves a lot of fixing later.